13 Thoughts on “Listen”


Airdate: September 13, 2014
Written by: Steven Moffat
Directed by: Douglas Mackinnon
The Story So Far: Clara has her first date with Danny Pink, while the Doctor chases down the origins of the one universal nightmare.  Where might this modest set-up lead? Well, to the Silence at the End of Time… and to the Beginning of All Beginnings.

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11 Thoughts on “Robot of Sherwood”


Robot_of_Sherwood_1Airdate: September 6, 2014
Written by: Mark Gatiss
Directed by: Paul Murphy
The Story So Far: Clara asks the Doctor to take her to Sherwood Forest, where it’s the year 1190 and the cruel Sheriff of Nottingham is brutalizing the local population.  The Doctor’s suspicion that “Robin Hood” is too good to be true, is only furthered when robot knights and a flying castle make an unexpected appearance.

To be honest, I just loved this episode.  A witty script by Gatiss; a healthy amount of swashbuckling; a number of either direct references to, or close parallels with, some of my favorite Classic Series adventures; and, oh, did I mention it was witty? Continue reading

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8 Thoughts on “Into the Dalek”


Airdate: August 30, 2014
Written by: Phil Ford and Steven Moffat
Directed by: Ben Wheatley
The Story So Far: The Doctor is asked to heal a Dalek by a couple of soldiers named Blue; Clara has an awkward meet-cute with a soldier-turned-schoolteacher named Pink.

Before, and during, the Series 8 premiere, Deep Breath, the big question was, how much of Peter Capaldi’s 12th Doctor would be drawn from Jon Pertwee’s characterization of the 3rd.  Quite a bit, as it turns out.

This week, however, there were no callbacks to the 3rd Doctor’s style or stories.  Instead, it was all about reliving Tom Baker’s years as the 4th Doctor.  With one exception.  One very prominent exception.

Death to the Daleks

… which, from now on, shall be known only  as “Death to the Daleks, death to the Daleks, DEATH TO THE DALEKS!”

As is typical with the New Series, the plot of Into the Dalek was slight (a Dalek force assaults a human hospital ship), serving primarily as a springboard for philosophical conversations and emotional exploration.  This is not a review, as such, and all spoilers are discussed, so proceed with caution!

1. “Sometimes you don’t seem — ” “Human?”

The week I was introduced to Tom Baker’s Doctor on PBS was also the week I had the flu. For some reason, I’d had the foresight to tape the final 12 minutes of Robot Part One on VHS on Monday night.  Tuesday, I had a 101-degree fever, didn’t go to school, and spent most of that afternoon in a semi-conscious stupor in front of the TV, watching those same 12 minutes over and over again.  I fell in love with Tom Baker’s high comic, oddball-yet-lovable take on the Doctor.  Parts Two through Four, shown Tuesday through Thursday nights, were more of the same, and I couldn’t wait for the next story, with more over-the-top but genial clowning from Tom Baker.  Friday morning, I was all better and back to school.  Friday night began The Ark in Space.


Baker’s first line in that story is “You’re a clumsy ham-fisted idiot!”  Robot was a Barry Letts/Terrance Dicks production, filmed during Season 11, a Jon Pertwee-era story with Tom Baker happening to star.  The Ark in Space, however, is all Philip Hinchcliffe and Robert Holmes; the Doctor could be funny at times, but was more starkly alien.  I loved Robot — still do — because of the comedy — but it’s The Ark in Space that defines Tom Baker for me.  Smiling broadly, while verbally cutting poor Harry Sullivan to shreds.

The Doctor cuts Harry off at the knees, with a grin: "Your mind is beginning to work.  It's entirely due to my influence, of course."

“Your mind is beginning to work. It’s entirely due to my influence, of course.  You mustn’t take any credit.”

It remained like that for the rest of the Hinchcliffe/Holmes era.  Baker’s Doctor was still prone to reciting Shakespeare over a Cyberman’s corpse, or quoting “The House that Jack Built”, or doing magic tricks.  But he also advised Professor Sorenson to kill himself in Planet of Evil, showed a seeming lack of empathy when his allies were killed off in Pyramids of Mars or The Seeds of Doom, and didn’t exactly comfort a blinded Sarah Jane Smith in The Brain of Morbius.  Then, he’d wax rhapsodic about the indomitable nature of humanity, and you loved him all over again.

Which is where we join Peter Capaldi.  The Doctor in Into the Dalek has recaptured this seemingly cold, callous streak.  I’ve already seen comparisons of Capaldi to Colin Baker’s Doctor — a Doctor you were supposed to loathe at first, before realizing how noble he was underneath.  I don’t see that.  Colin’s Doctor in his first two stories was scripted to engage in physical violence that was completely at odds with what we thought we knew of the character.  Capaldi’s Doctor will mask himself with a frosty facade — he’s callous when Ross is killed, casually insults Clara… but then promises the doomed Gretchen that he’ll do something “amazing” in her honor.  Capaldi strikes me more  of Tom Baker’s early take on the Doctor — callous, harsh, and then wonderfully empathic — and it’s glorious.

One of these four characters is about to die horribly, and the Doctor hardly blinks.

One of these four characters is about to die horribly, and the Doctor doesn’t blink.  Doesn’t even blink.

2. “You’re not my boss.  You’re just one of my hobbies.”

Speaking of a seemingly intentional similarity to the early Tom Baker era, Clara has gone from the Impossible Girl to Sarah Jane Smith.  Tom Baker and Elisabeth Sladen had an electric chemistry that, if harnessed, could have powered the city of Cleveland for years. It was almost flirtatious.  Sarah Jane could call the Doctor out on his bad behavior, he’s say something curtly dismissive to her, and neither was ever really offended.  He even called her his “best friend” in The Seeds of Doom, and we nodded vigorously.

The name-calling between the Doctor and Clara recaptures that dynamic while taking it to a whole new level.  Last week, the Doctor called Clara an “egomaniac, needy, game-player sort of person” (ouch!); this week, we get a sharper update on an exchange from Pyramids of Mars:

Clara: How do I look?
The Doctor: Sort of short and round-ish, but with a good personality, which is the main thing.
Clara: I mean my clothes.  I just changed.
The Doctor: Oh, good for you.  Still making an effort.

But then the Doctor gets sweet again: “I think you’re probably an amazing teacher,” he admits.  This is how best friends actually talk to each other, at least where I come from (Brooklyn, which is not representative of anywhere else, I freely admit).  We’re back to the Fourth Doctor and Sarah Jane’s on-screen chemistry, but with sharper, 21st-century-appropriate barbs.  Awesome.

"You asked me if you were a good, and and the answer is, I don't know.  But I think you try to be, and I think that's probably the point."

“You asked me if you were a good man, and and the answer is, I don’t know. But I think you try to be, and I think that’s probably the point.”

3.  “I just wish you hadn’t been a soldier.”

This will cause a lot of debate among Internet fandom for months to come.  One of this week’s guest characters, Journey Blue, is a soldier from the future, from the Combined Galactic Resistance.  The Doctor rescues her from her fighter ship, seconds before it’s blown up (along with her brother) by the Daleks.  She tries to commandeer the TARDIS at gunpoint, but he won’t cooperate until she says “please” (which is eerily reminiscent of my parenting strategy vis-a-vis my four-year-old daughter, minus the guns).  There a running theme through the rest of the episode where Journey, clearly a good, kind person before she got caught up in the fight against the Daleks, is being led by the Doctor to overcome her soldiering instincts and rediscover her best qualities.

Then, at the end, she asks him if she can come along with him in the TARDIS, and he refuses, because she’s a soldier.  This is an interesting point because, back on Earth, Clara is cultivating a relationship with Danny Pink, a former soldier, who seems destined to wind up on-board the TARDIS.  Why does the Doctor really turn Journey away?  Is he wrong?  And why all the characters named Blue and Pink?  Those are not real names!

Unless you were one of the most dominating left-handed starting pitchers of your generation, that is.

Unless you were one of the most dominating left-handed starting pitchers of your generation, that is.

4. Pink.  It’s like red, but not quite.

After the cold open, a furious bit of business, and the new opening titles (which are still fabulous — love love love), we get a sharply different sequence introducing us to Danny Pink , who, depending on what hints Steven Moffat drops in any given interview, may or may not be a future companion, and is clearly of major importance to the rest of Season 8. Danny, a math teacher at Coal Hill School, is a former solider who leads military drills (the “Coal Hill Cadets”, who logic would dictate will see some action before this season is out).  He hints that he’s killed before, and cries when talking about it.  Clara kind-of sort-of asks him out on a date (45 seconds after they’ve just been introduced) and he flakes out, running back into his classroom to bang his head against his desk.  This is one of the most unique introductions we’ve been given to a new character.  Danny Pink is played by Sam Anderson, who the camera loves.  He’ll be a fine addition to the TARDIS crew, if that’s what Moffat has in store for us.

First Alex Kingston, and now Sam Anderson.  Steven Moffat really enjoys casting actors who formerly played doctors on "E.R." ... oh, wait.  Wrong Sam Anderson.

First Alex Kingston, and now Sam Anderson: Steven Moffat prefers to cast actors who formerly played doctors on “E.R.” … oh, wait. Wrong Sam Anderson.

5. “The Doctor was not the Daleks”

In between the character moments, there was a plot in Into the Dalek:  Colonel Blue (Journey’s uncle) has salvaged a Dalek, which comes to life and expresses a wish to destroy the other Daleks.  The Doctor is enlisted to go into the Dalek to investigate — quite literally, to be miniaturized and to go into the Dalek casing, via a nano-something device that shrinks him down, Fantastic Voyage-style (“Great idea for a movie.  Terrible idea for a proctologist,” sneers Capaldi).  This device, by the way, is not the one from the Tom Baker story The Invisible Enemy, although the plots of the two stories share some basic similarities.

Once inside the Dalek, the Doctor quickly learns that this is not a “good” Dalek who can be trained to join the Combined Galactic Resistance.  Rather, it was brain-damaged by a radiation leak inside its shell; once the leak is plugged, it turns back into the rampaging evil monster that we all know and love.  The Doctor is proven right, and the Resistance is put in jeopardy when the Dalek escapes captivity and exterminates most of Colonel Blue’s soldiers.  Whoops.

But, because the new series is more about exploring emotions and consequences than showing elaborate Dalek schemes of conquest, things take a sharp left turn after the Dalek starts to kill again.  Much of this ground was covered in Rob Shearman’s Dalek 9 years ago, but we learn some interesting things on this revisit.

And, fortunately, we didn't learn any of it from this fine actor.

Here’s one actor we fortunately did NOT revisit.

Basically, Clara shames the Doctor into admitting that he needs to do more to salvage the situation for the Blues and their soldiers (while Journey is about to blow them all up with a suicide grenade, it looks like).  So the Doctor gets to work.  He sends Clara off to retrieve suppressed memories from the Daleks’ brain-computer, while he goes off to try and reason with the Kaled mutant blob.  And, with parallels to one of my favorite exchanges from 1979’s Destiny of the Daleks, makes it quite clear that he’s making his new scheme up purely as he goes along, with no likelihood of success.

Human: We’ve only got a handful of men. How can we stop [the Daleks]?
4th Doctor: [counting the troops] One, two, three, four, five. I’ll go alone. Ask me why.
Human: Why?
4th Doctor: Because they’re unconscious. Also, I’m a very dangerous fellow when I don’t know what I’m doing.

While Clara’s doing her bit, the Doctor starts talking to the Dalek mutant, and takes us right back to 1963.  He says that, when he left home to travel in the TARDIS, he was just running, calling himself “the Doctor” for no particular reason — but that meeting the Daleks for the first time (in The Daleks) made him who he is today: .because “The Doctor was not the Daleks”.  This is a bold admission on the 12th Doctor’s part (and officially explains why the 1st Doctor was so different in his first adventure).

The Doctor picks a most unlikely psychotherapist.

A most unlikely psychotherapist.

Of course, while the Doctor is rooting around in the Dalek’s memories, trying to awaken some shred of humanity and avert it from its destructive course… the Dalek is rooting around the Doctor’s memories.  In another twist, the Dalek finds the will to destroy the rest of the Dalek force — but not from spiritual memories of beautiful stars being born; it instead seizes upon the Doctor’s own hatred of the Daleks, and copies that.  And, as in 2005’s Dalek, tells the Doctor that he’d make “a good Dalek”.

There’s a lot going on here, even if the emotions are spelled out a bit  too explicitly.  The Doctor starts to doubt his own innate goodness, and the Dalek evolves beyond its own programming into something… not quite an ally, but no longer a Dalek either.  I’m not sure all of this is convincing; it may fall apart upon a third or fourth viewing, and seem like painfully juvenile writing.  But, for the moment, I thought it was quite well done.  The Doctor saves the day for the Blues, but still leaves feeling somewhat defeated.

The 4th Doctor, seen here menacing Davros with a bottle of Pepto-Bismol, won the day without quite so many reservations.

The 4th Doctor, seen here menacing Davros with a bottle of Pepto-Bismol, wins “Destiny of the Daleks” without quite so many reservations.

6. Missy

… is back again.  Gretchen’s noble act of self-sacrifice immediately transitions from her extermination, to her sitting at a table in Heaven, surrounded by approximately 10,000 pastries, being greeted by Missy (who does not perform a soft-shoe number like last week).  There’s still no explanation as to who Missy really is or why she’s collecting people killed in the Doctor’s presence.  Nor do we know where the “promised land” is.  It’s only Episode 2; plenty of time for answers later.

7. Deleted Scene?

According to those who saw the leaked rough cut, there was an extra scene in Into the Dalek with the changed Dalek blowing itself up (taking the Blues’ ship with it) as soon as the TARDIS took off.  This was not in the episode as transmitted.  Thankfully.

8. Next Time

Mark Gatiss appears to be in full-on romp mode, sending the TARDIS to Sherwood Forest. Lots of swashbuckling and explosions, and what appears to be robot knights, while the Doctor tells us that there’s no such thing as Robin Hood.  I suspect that, next week, we’re going right back to the Pertwee era for an update of The Time Warrior.  Can’t wait!

The 3rd Doctor, Sarah Jane, and Boba Fett, fighting robot knights in 1974.

The 3rd Doctor, Sarah Jane, and Boba Fett, fighting robot knights in 1974.

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12 Thoughts on “Deep Breath”


Airdate: August 23, 2014
Written by: Steven Moffat
Directed by: Ben Wheatley
The Story So Far: The TARDIS catches a ride to Victorian London inside a dinosaur’s throat, while familiar clockwork robots harvest organs from the local population.  Can the Doctor, having recently regenerated into Peter Capaldi’s eyebrows, save the day?

Well, as I’ve shown over the rest of this blog, I can’t really properly evaluate a Doctor Who story until it’s at least 45 years old.  So, instead, I plan on doing random bullet-point thoughts, rather than coherent reviews, for most of Series 8.

It’s never been a secret that Peter Capaldi’s an old-school Who fan.  By now we all know of his activity in early ’70s fandom, and Barry Letts even mentioned him at length in the audio commentary for the DVD release of 1974’s The Monster of Peladon.  When Capaldi’s costume was revealed, it generated immediate comparisons to Jon Pertwee’s original wardrobe selections for the Third Doctor.  Capaldi’s genuine burning-hot love for the show was further made blindingly obvious by photo shoots like this:


And I’m gonna go blind trying to figure out which novelizations those are, too…

So, I spent most of the first 30 minutes of last night’s airing trying to count the number of homages to Jon Pertwee’s era.  As I can’t count that high, I soon gave up trying.

1. That dinosaur looks familiar …

Doctor Who loves dinosaurs.  There have been two stories with the world “Dinosaur” in the title; one with convincing representations and one without (Invasion of the Dinosaurs and Dinosaurs on a Spaceship; I’ll let you decide which is which).  As this is nominally a blog about the Target novelizations, though, the following mental image is that one that I immediately figured the show was quoting:

Actually, the Pinnacle U.S. edition was more accurate, sans the UNIT spaceship they included in their cover illustration.

The Pinnacle U.S. cover works too, excpet that it also features a UNIT spaceship….

2. Deep Breath is even more a remake of Spearhead From Space than Rose…

The TARDIS crash-lands on Earth amidst an alien invasion (a swarm of meteorites vs. a dinosaur).  The Doctor is confined to bed in snazzy pajamas, until he breaks out and steals retro clothing.  There’s a tramp who’s peripheral to the plot.  Vastra’s harsh auditioning of Clara calls to mind Liz Shaw’s awkward, defensive interview with the Brigadier.  In fact, the so-called Paternoster Gang seem to serve as knowing UNIT surrogates, giving the Doctor a home base on Earth.  And then, there’s…

3. Peter Capaldi wields some good eyebrow.

Spearhead from Space featured the Third Doctor giving Liz a discourse on the natives of the planet Delphon, who communicate entirely by eyebrow gestures (“That’s Delphon for how-do-you-do!”).  That was scripted by Robert Holmes, who loved throwaway references to alien customs.  We know already that Steven Moffat is a fan of Holmes’ writing style.  I’m not saying he cast Peter Capaldi solely because Capaldi looks like an elder statesman of the planet Delphon, but …

OK, OK, stop, you win, you win!

OK, OK, stop, you win, you win!

4. The Doctor’s amnesia

I’ll admit, I’m one of the few who, when Capaldi asked Clara at the very end of The Time of the Doctor if she knew how to fly the TARDIS, hoped that this represented a new direction for the series — going back to Year One, with a TARDIS adrift in time and space. Clearly, that is not to be; the needs of the show have evolved well beyond the format of something like The Lost Saucer.

But, the running gag with the Doctor completely unable to remember where he’d encountered Half-Face Man’s people before, even when he hears the ticking clockwork and sees a reference to the S.S. Madame de Pompadour, is a bit funny — a Doctor who’s lived so long that he can’t even remember one of his most beloved adventures (not coincidentally, a Moffat-penned tale).  I can’t imagine fans of the David Tennant era will appreciate Capaldi’s Doctor erasing Sophia Myles from his mental canon, but…

Interesting to note, the idea of the Doctor having forgotten a past adventure was initially proposed by Gareth Roberts for The Lodger, where the villain was originally intended to be Meglos.  As much as I wished that idea hadn’t been nixed, this time Moffat brought the notion back, and just flat-out got it.


“Correction, Earthling… it’s merely YOU they’ve got.”

5. The Paternoster Gang

Strax is pretty much a one-joke character.  But, I gotta tell ya, I still haven’t gotten tired of that one joke.  My various social media feeds are full of the “MELT it with ACID” quote, and the crowd I was watching with last night laughed hard enough to drown out the TV at Strax’s gloriously failed attempt at abseiling.

As for Vastra, however, the whole bit with her interrogating Clara and assailing her supposed narrow-mindedness just didn’t work for me.  Granted, it was crisply written, but I’ve never been a particularly big Vastra fan and this bit, no matter how clever, just didn’t work for me.

(Although, speaking of Pertwee era homages, Paternoster features a Silurian and a Sontaran, both races introduced in the Pertwee era, and Vastra even quotes the Brigadier’s final line from Pertwee’s final story…)

 6. New Opening Credits

Awesome, brilliant, steampunk, all clockwork cogwheels and Roman numerals.  This was created by a fan and evidently picked by Moffat directly off YouTube.  Hard to imagine a much better thematic fit for Capaldi’s older, old-school, Doctor.

Deep_Breath_17. Old Rough Cut

I’m still not quite sure who Marcelo Camargo is supposed to be, but, unless you’ve been living under a rock, or with the Paternoster Gang, you’re aware that rough-cut, black-and-white versions of Episodes 1 through 5 have all been leaked.  Fandom at large quickly circled the wagons, and very few spoilers got out in my Facebook feed (certain amateur media reporting sites, however, made it a bit harder to avoid those spoilers); those fans who chose to watch the episodes early, were properly tight-lipped about it, and didn’t ruin the fun for anyone.  I’d like to think that most of the folks at the gathering I attended last night, weren’t aware of the Big Surprise Cameo going in.

But, getting back to Capaldi and all those little tastes of the Pertwee era… it’s kind of fitting that these five stories made the online rounds in black-and-white, with below-grade special effects.  Because that’s how most American fans experienced the Pertwee era in the 1980s — five of his first nine serials were only available in black-and-white at the time, before colorization techniques and the Restoration Team set things right for us. So, if you ignore all the time codes and [insert footage here] and ADR prompts, you could just about pretend you were still watching The Ambassadors of Death in 1987.

"Doctor Who" as you were quite literally never meant to see it.

“Doctor Who” as you were quite literally never meant to see it.

8. The Dark Doctor

What was great about Capaldi’s performance was the depth and breadth.  His early scenes had something of the manic nature of Matt Smith’s most over-the-top outings.  His moodiness and problem-solving display immediately after the dinosaur’s immolation was reminiscent of Tom Baker’s harsher, less cuddly portrayal during the early Hinchcliffe era.  His final confrontation with Half-Face Man is meant to be a bit ambiguous, but we can safely believe that the Doctor pushed the bad guy to his death, saving the day via a revenge murder.

… unless, and until, Moffat retcons this away in a later episode us and assures us that the Doctor never kills anybody.  While you, like, totally know he’ll do, too.

9. Heaven?

Early word has it that “the Promised Land” is the new recurring meme this season; the new Bad Wolf, the new Torchwood.  The end of Deep Breath features a woman named Missy (Michelle Gomez) declaring the Doctor to be her boyfriend, as she welcomes the recently-deceased Half-Face Man to the promised land, to heaven.  Followed by an over-the-top little soft-shoe number, as Half-Face Man looks very confused.

Missy is evidently modeled on Possessed Tegan from 'Snakedance"

Missy is evidently modeled on Possessed Tegan from ‘Snakedance”

Between River Song and Tasha Lem and Madame Kovarian, we’re becoming glutted with this type of character, someone who may or may not be the Doctor’s jilted ex-lover, often wearing thinly-veiled dominatrix gear.  It took a while to convince me that Missy was a new character, rather than someone we’ve already seen before.

10. The Impossible Girl

On the eve of false rumors that Jenna-Louise Coleman is leaving Doctor Who, Clara got a particularly meaty part in Deep Breath.  On her own for much of the episode, Clara got to clash with Vastra, bicker with the Doctor, stand up to Half-Face Man (with just the right mixture of steely determination and palpable fear), and trade witty banter with Strax.

Most of Clara’s screen time to date, from her debut in Asylum of the Daleks, through her last regular-season appearance in The Name of the Doctor, has been dedicated to exploring the character’s Mystery, to figuring out why she was the Impossible Girl.  There often wasn’t much room for characterization, beyond Coleman’s amazing hair and tartan skirts.  Last night, Clara got to be an actual character, not a one-dimensional riddle, and it was pretty grand.


“Wait, we’re NOT boyfriend and girlfriend?!”

11. Eleven

So, Matt Smith came back last night as a Doctor-ex-machina, calling Clara from the battlefield of Trenzalore, imploring her to stay with the new Doctor while hoping against hope that his next self hadn’t gotten old.  I’m not yet convinced of the script logic of this — this was, in the Eleventh Doctor’s timeline, after he learned that he was in his final incarnation, but before the Time Lords gave him a complete new life cycle, so how did he know he was going to regenerate again?  More to the point, it was a bit of a heavy-handed passing-the-torch moment, as the old Doctor literally phones it in to remind us that it’s okay to like the New Doctor (kids!).  I groaned when I saw this, actually.  After I really enjoyed Capaldi’s first 70 minutes as the Doctor, I didn’t need to see the old guy again.

For my money, there’s only one way to bring back the Old Doctor after the New Doctor arrives, and that’s in a creepy silent mirror flash-back:

Power 1212. Next Time

… what appears to be a remake of Rob Shearman’s Dalek, minus the woeful American accents (and woeful American actor).

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The Roundheads

Written by: Mark Gatiss
Series: BBC Books – Past Doctor Adventures
Featuring: The 2nd Doctor, Ben, Polly, and Jamie
Set Between: The Macra Terror and The Faceless Ones
Publication date: November 1997
The Story So Far: In December 1648, as the English Civil War winds down, the TARDIS crew finds itself caught in a tug-of-war between the Roundheads and the Royalists, between Oliver Cromwell’s legacy and the King’s soon-to-be detached head…

The Roundheads stinks.  This must be distinctly understood, or nothing wonderful can come of the story I’m going to relate. Continue reading

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The Macra Terror

Airdates: March/April 1967 (4 episodes)
Written by: Ian Stuart Black
Directed by: John Davies
The Story So Far: Super-intelligent crabs enslave and exploit an outer-space Earth colony by means of recreation and leisure.
Novelization by: Ian Stuart Black (July 1987) Continue reading

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The Moonbase

Airdates: February/March 1967 (4 episodes)
Written by: Kit Pedler with Gerry Davis
Screen Credit to: Kit Pedler
Directed by: Morris Barry
The Story So Far: The Cybermen menace a weather control station on the moon in the year 2070, seeking belated revenge on humanity for what previously happened in The Tenth Planet.  Second verse, same as the first.
Novelization by: Gerry Davis (February 1975) (as Doctor Who and the Cybermen)

One recent Facebook meme asks you to list ten books with a profound influence on your life.  Not the best, but ones that impacted you in some way.  Doctor Who and the Cybermen, the first book I read out of my first batch of novelizations in January 1985, would almost certainly be on my list. Continue reading

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